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Old January 9th 04, 03:38 PM
Dudley Henriques
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I never did formation acro in the Pitts, but I talked about it many times
with Art Scholl. I have however flown formation acro in both similar and
dissimilar aircraft using P51's and a P51/F8F pair.
Art considered formation acro in the Pitts as a common problem for all
bipes, that being a high potential for loss of sight in close.
It's dicey in tight, and that's basically where you want to be for acro, as
the lag time between lead and wing can be a real killer.
There's no substitute for working in as a team when it comes to this issue,
and if you're taking it in slowly together; that's the way to do it.
Right off the bat I'll tell you several things. Radio communication is
PARAMOUNT. The instant you lose it, you need a preplanned exit. The
Thunderbirds have a "go exploded" preplan on call by the lead; or a wing if
lead is the cause; also if no transmission from lead for a briefed time
period during a maneuver. Radio is CRITICAL to flight safety in formation
acro.
On position; the best unfortunately for acro is in fairly tight, as there
can be absolutely NO lag between lead's stick and wings'. If you are waiting
for lead to move, it's too late. ANY lag will throw you outside. Another
thing. Normal echelon acro in a low wing fighter would normally be back
about 55 degrees stepped down, and in position where the tail numbers could
be read easily. This is very similar to the old fighting wing. The Pitts
will have to be held in flatter due to the upper wing panel. You'll have to
experiment with this.
I would suggest you fly ALL maneuvers that involve roll (turn) AWAY from the
wing; in other words (turn away rather than turn into the wing) Turns into
involve some power and positioning problems that could get hairy in a Pitts.
On positioning; I've found the Thunderbird/Blue Angels approach to this
issue to be the best. They develop what is called a "paint" for each
maneuver. It naturally varies between wings and slot, but in your case, you
only have a wing "paint" to develop. What you do is establish a sight line
from your normal seated position from some spot on your airplane (I used my
canopy bow a lot for this)
directly to some chosen spot on the lead's airplane, and you KEEP IT IN THAT
EXACT POSITION come hell or high water.
This means that in effect, if you're flying the wing position, you are
literally flying the lead's airplane. When he moves, you move. You keep the
line between the paint and the spot on your airplane at all times. This is
called relative positioning. This also requires lead giving wing a specific
cadence on the radio that NEVER CHANGES on both the preparation call for the
maneuver, AND the execution call. For example; lead will call "
Ready.......going barrel roll left............now........" What's indicative
here is the SPACING between the words "left" and "now". By knowing the
spacing, wing can execute WITH the lead and not after lead's hands and feet
have moved. This is critical for acro formation integrity.
I could go on for an hour on this stuff but you'll discover it on your own
I'm sure.
Just remember; lead's job is SMOOTHNESS and GROUND PROXIMITY . Lead has to
leave wing with a little extra g and a little extra power. This also is
critical.
If lead maxes his airplane, wing doesn't have what he needs to hang in
there. Lead MUST give wing enough extra to maintain position.
Oh well, you'll get it I'm sure. If there's anything at all I can help you
with, don't hesitate to ask.

One thing Shawn; I'm fairly certain that you'll find that in the Pitts, you
are going to be flying a flatter echelon and a bit wider out than I would be
doing with a low wing fighter. This will mean an even tighter execution
window between wing and lead. The radio procedure you two develop between
you that establishes the cadence I'm talking about will be VERY important to
you with a wing out that far and being flat like that. Work on these radio
calls till they are so second nature you both could be blindfolded; make a
prep, hesitate and execute call and bang your hands down on a table at
exactly the same time together. When you two can do that twenty times with
no difference in sound when your hands hit the table; you're ready to BEGIN
practicing formation acro as a demonstration team!
Dudley
"ShawnD2112" wrote in message
...
You bet, Dudley, on both counts.

To date all we've really done is trade lead and wing, mostly echelon

right,
practicing straight and level station-keeping, gentle turns left/right,
gentle climbs and decents. It's still hard enough keeping in some kind of
reasonable position that anything more challenging is still for the

future.
We still fall out of turns once in a while, as you'd imagine.

Just out of curiousity, do you have any formation time in Pitts Specials?
If so, what do you use as visual references in echelon to keep your
position? We've gotten some conflicting advice about the best position.

Shawn
"Dudley Henriques" wrote in message
hlink.net...
Best of luck down there and have a great time. Hope all goes well with

what
you're planning for 05.
One thing though Shawn; don't get too close to those Cape Buffs down

there.
I understand that if they get mad at you for some reason or other, they

can
take do great harm to a Pitts!!! :-))
Have fun and let me know how you make out with your show will you?
All the best as always,
Dudley


"ShawnD2112" wrote in message
...
Thanks for the heads up on this one, Dudley.

Oddly enough, am going on vacation to Capetown on Sat for two weeks.

Have
asked about two copies being sent to my hotel, one for me, one for my

flying
partner. We're just starting out on some basic station keeping

formation
and hope to be able to put together a small show routine for Summer 05

or
so. Lots of work and lots to learn in the meantime, but we've had a

blast
doing what little we've done so far.

Shawn
Pitts S-1D G-BKVP
"Dudley Henriques" wrote in message
news
"Snowbird" wrote in message
om...
"Dudley Henriques" wrote in message
thlink.net...
For those of you interested in air shows, both military and

civilian,
,
and
whose interest goes WAY beyond the norm and into the very guts

of
the
subject; I'd like to announce that the consummate book on this

subject
"Zero
Error Margin; Airshow Display Flying Analyzed " has just been

released
and
is now available. ...

Wow, this is saying a lot, coming from you. Is it anything the
'lay pilot' could appreciate, or do you think one has to be
an aerobatic pilot or an airshow performer to appreciate it?

Cheers,
Sydney

The book will probably end up being the finest piece ever done on

this
subject. In fact, considering it's scope, it should stand alone now

as
unique. It will easily qualify as legally acceptable reference

material
when
expert opinion has to be verified concerning the issues dealt with

in
the
book.
I will have the finished book in my hands next week. As of now, I

only
have
the material that I've been working on with Col Barker over the past

two
years, and individual chapters sent to me to be proofed, but from

what
I've
seen so far, for anyone having any interest at all in the safety

issues
that
surround the air show venue, this book will be a must have! The

collected
group gathered together to do this work are in my opinion, the best
available in the world today. Just in my own small group

contributing,
the
book involved several Thunderbird alumni, including an ex team lead.
I really can't say what the interest will be for the average private

pilot
as it relates to flying. Naturally, the collective professional

talent
gathered to do this project concentrated heavily on the low level
aerobatic
demonstration aspect of handling an airplane; and many makes and

types
used
for this purpose are covered in textbook form. But if there's an

interest
in
learning how extremely high performance airplanes are handled
professionally
by people who are the best in the world at doing this; I would say

there's
a
lot that can be learned and applied to making everyday flying safer.
On the historical end, the accident data base on air shows included

in
the
book is second to none. It lists every major air show related

accident
of
consequence over several decades. Researchers will have a field day
reading
what the official reports said, then being privy to what the best

pilots
in
the world involved with the same kind of flying had to say for the

book
that
ADD's to those reports.
For the enthusiast, the book should be a gold mine of first hand

reporting
and research on their subject of interest.
To answer your question honestly Snow, it all depends on the

interest
area
of the hypothetical "lay pilot" you describe. My recommendation

would
be
to
purchase this book if you have any interest at all in airshows, or

how
high
performance airplanes are flown by people who know high performance
airplanes. You'll get a real inside look at how these pilots think

and
act
under all kinds of conditions. I would say that by the time he/she
finishes
reading this book, the average "lay pilot" should come away with at

least
a
few things they might want to change in the way they approach what

they
do
in the air :-)
Dudley Henriques
International Fighter Pilots Fellowship
Commercial Pilot/ CFI Retired
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