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#1
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Hi all,
Having unsuccessfully tried to use my Panasonic FZ7 and its appalling shutter lag especially when taking pictures of the flying, I've bitten the bullet purchased a Nikon D80 body. I would welcome recommendations for lens that will enable me to make the most of this camera for taking good clear images of aircraft on display. Cheers in advance, Pete |
#2
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Hi Pete,
I got my D80 this spring for a trip to the UK to take in a couple of airshows and a number of museums. I got the Nikon 70-300Is lens and it is nice. But, for the serious photographer, probably something more in the 500mm range would be preferable. I could only afford the 70-300. ![]() weather didn't cooperate for the UK airshows, so my photo's there were so-so. I did have a little better luck at Dayton a few weeks ago at the Dawn Patrol Rendezvous. The 70-300 is very nice, and the image stabilization is great! I really like my D80 too. The Dr1 is full scale. The DVII is RC Mike ![]() ![]() "Peter.D.Evans" orbscure.AT.hotmail.DOT.com wrote in message . 109.144... Hi all, Having unsuccessfully tried to use my Panasonic FZ7 and its appalling shutter lag especially when taking pictures of the flying, I've bitten the bullet purchased a Nikon D80 body. I would welcome recommendations for lens that will enable me to make the most of this camera for taking good clear images of aircraft on display. Cheers in advance, Pete |
#3
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Oops, that didn't work. Try this.
"Mike Bealmear" wrote in message . .. Hi Pete, I got my D80 this spring for a trip to the UK to take in a couple of airshows and a number of museums. I got the Nikon 70-300Is lens and it is nice. But, for the serious photographer, probably something more in the 500mm range would be preferable. I could only afford the 70-300. ![]() weather didn't cooperate for the UK airshows, so my photo's there were so-so. I did have a little better luck at Dayton a few weeks ago at the Dawn Patrol Rendezvous. The 70-300 is very nice, and the image stabilization is great! I really like my D80 too. The Dr1 is full scale. The DVII is RC Mike ![]() ![]() "Peter.D.Evans" orbscure.AT.hotmail.DOT.com wrote in message . 109.144... Hi all, Having unsuccessfully tried to use my Panasonic FZ7 and its appalling shutter lag especially when taking pictures of the flying, I've bitten the bullet purchased a Nikon D80 body. I would welcome recommendations for lens that will enable me to make the most of this camera for taking good clear images of aircraft on display. Cheers in advance, Pete |
#4
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Well, I used to know to do this.
![]() "Mike Bealmear" wrote in message . .. Oops, that didn't work. Try this. "Mike Bealmear" wrote in message . .. Hi Pete, I got my D80 this spring for a trip to the UK to take in a couple of airshows and a number of museums. I got the Nikon 70-300Is lens and it is nice. But, for the serious photographer, probably something more in the 500mm range would be preferable. I could only afford the 70-300. ![]() weather didn't cooperate for the UK airshows, so my photo's there were so-so. I did have a little better luck at Dayton a few weeks ago at the Dawn Patrol Rendezvous. The 70-300 is very nice, and the image stabilization is great! I really like my D80 too. The Dr1 is full scale. The DVII is RC Mike ![]() ![]() "Peter.D.Evans" orbscure.AT.hotmail.DOT.com wrote in message . 109.144... Hi all, Having unsuccessfully tried to use my Panasonic FZ7 and its appalling shutter lag especially when taking pictures of the flying, I've bitten the bullet purchased a Nikon D80 body. I would welcome recommendations for lens that will enable me to make the most of this camera for taking good clear images of aircraft on display. Cheers in advance, Pete |
#5
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Pete,
Here are a few more with the 70-300IS. These were taken at Old Warden/Shuttleworth Collection. "Peter.D.Evans" orbscure.AT.hotmail.DOT.com wrote in message . 109.144... Hi all, Having unsuccessfully tried to use my Panasonic FZ7 and its appalling shutter lag especially when taking pictures of the flying, I've bitten the bullet purchased a Nikon D80 body. I would welcome recommendations for lens that will enable me to make the most of this camera for taking good clear images of aircraft on display. Cheers in advance, Pete |
#6
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Peter.D.Evans wrote:
Hi all, Having unsuccessfully tried to use my Panasonic FZ7 and its appalling shutter lag especially when taking pictures of the flying, I've bitten the bullet purchased a Nikon D80 body. I would welcome recommendations for lens that will enable me to make the most of this camera for taking good clear images of aircraft on display. Cheers in advance, Pete I have a Sigma 50-500 Bigma GREAT LENS A lot of people on Fencecheck have them they are light and have a great range and do not suck in dust. |
#7
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I've been a lurker for years, but finally feel like I have something
worthwhile to comment on - and an aviation-related photo to go with it. I also have a Bigma. It's a terrific lens, especially on my new Canon 40D! I recently decided to sell my Nikon D70 and all the lenses, flashes, extension tubes and all the rest. The final straw was shooting the Cape Cod airshow with the D70 several weeks ago. I didn't have the Bigma for that show. I had the Sigma 170 - 500 mm, and I will issue a caution about both Sigma lenses. It turns out that they both focus BEYOND infinity. I had so much trouble with the Nikon D70 failing to autofocus quickly (hunting for focus), I set it to manual focus and spun the focus ring to infinity - or so I thought. It wasn't immediately obvious due to the severe haze - everything looked foggy anyway. About 250 shots later I discovered the error. VERY frustrating. So far, I really like the 40D and the Bigma. They're a great combination, if somewhat heavy. They focus very quickly and are a real joy to use. I expect it will work very well for my next airshow. Whatever lens you decide to get for airshows, make sure you get one with the high speed focus, i.e., USM. And pay attention to that focus ring if you decide to use manual focus! Attached is a shot of a hot air balloon rising up from the gorge in Quechee, Vermont. I sure wish I had this setup for the airshow... Charlie |
#8
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Charlie wrote:
I've been a lurker for years, but finally feel like I have something worthwhile to comment on - and an aviation-related photo to go with it. I also have a Bigma. It's a terrific lens, especially on my new Canon 40D! I recently decided to sell my Nikon D70 and all the lenses, flashes, extension tubes and all the rest. The final straw was shooting the Cape Cod airshow with the D70 several weeks ago. I didn't have the Bigma for that show. I had the Sigma 170 - 500 mm, and I will issue a caution about both Sigma lenses. It turns out that they both focus BEYOND infinity. I had so much trouble with the Nikon D70 failing to autofocus quickly (hunting for focus), I set it to manual focus and spun the focus ring to infinity - or so I thought. It wasn't immediately obvious due to the severe haze - everything looked foggy anyway. About 250 shots later I discovered the error. VERY frustrating. So far, I really like the 40D and the Bigma. They're a great combination, if somewhat heavy. They focus very quickly and are a real joy to use. I expect it will work very well for my next airshow. Whatever lens you decide to get for airshows, make sure you get one with the high speed focus, i.e., USM. And pay attention to that focus ring if you decide to use manual focus! Attached is a shot of a hot air balloon rising up from the gorge in Quechee, Vermont. I sure wish I had this setup for the airshow... Charlie ------------------------------------------------------------------------ Apparently, I need to figure out how to make that image smaller... Charlie |
#9
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Peter.D.Evans wrote:
Hi all, Having unsuccessfully tried to use my Panasonic FZ7 and its appalling shutter lag especially when taking pictures of the flying, I've bitten the bullet purchased a Nikon D80 body. I would welcome recommendations for lens that will enable me to make the most of this camera for taking good clear images of aircraft on display. Cheers in advance, Pete Some points: Shutter lag will kill you, so if you can do it buy a digital camera with the least possible lag and shoot single frames after carefully leading and framing the target; Closer is always better for individual aircraft; back in the days when I took a lot of air to air photos, I used a Nikon F body hooked to a 500mm Nikkor Mirror lens. Those lenses are out there if you can find one. They were the sharpest of the Maksutov-theory construction; the 1000 and the 2000 mm Nikkor lenses could only be used from a tripod. Remember that you don't always need the latest refractor type lens (as opposed to the reflector style of the Maksutov-Theory lenses) and you don't need Zoom lenses if you constrain your picture taking to specific subjects and poses at one time. Zoom lenses are inherently less "sharp" than apocromatic lenses, which are less than acromatic, which are less than non-stabilized mirror lenses. The ideal, of course, would be a Leitz Apocromatic 1000 f2 lens hooked to an Alpa body with motor drive, shooting Old Kodachrome ASA 25. There was a series of those lenses specially made for the CIA back in the 1960's which had a gyro-stabilizer device which circled the lens. It was so rock steady when it was speeded up to to working revolutions (or whatever gyoscopic stabilizers do) that it was difficult to pan a moving target. I've used that lens on some surveillances with Roxal-X Pan film (ASA 1200) pushed to ASA 12,000 in a hot developer bath and single-chromatic lamp flashing during development, that worked pretty good. I remember one timje in a night club in Okinawa where the system actually caught the mid-air spurt of a certain bodily fluid as the young lady of the night furiously massaged a certain member of the SUBJECT'S body, grappling it into submission... I forget what happened to the SUBJECT but that photo was famous in the annals of military intelligence back in the 1960's. OK, another point, use color film or settings of the highest possible speed, that you can without sacrificing grain and enlargement. Remember that the closer you can get to the subject by using a telephoto lens, the less you have to crop. This wasn't a problem back when I used a Fairchild K-series hand held 70mm camera with the ten inch lens. I could actually see the extended middle finger of the Soviet Bear tail gunners as I homed in on the new tail gun radar antennas. There are some marvelous pictures here taken by real experts -- profession air show photographers -- I am sure they can offer better advice than can I. Anyway, good luck. Cheers, Dave |
#10
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Hi there Mike...
I got my D80 this spring for a trip to the UK to take in a couple of airshows and a number of museums. I got the Nikon 70-300Is lens and it is nice. But, for the serious photographer, probably something more in the 500mm range would be preferable. I could only afford the 70-300. ![]() there were so-so. I did have a little better luck at Dayton a few weeks ago at the Dawn Patrol Rendezvous. The 70-300 is very nice, and the image stabilization is great! I really like my D80 too. Thanks for the feedback... I am planning, when funds allow, to purchase a Tamron SP AF200-500 to bridge the gap from 200 to 500mm, but to say that the subject of lens vs £££ (or $$$) is a minefield is the understatement of the century! The subject of light conditions here in the UK is about the only feature beyond my control but I am looking forward to trying out my D80 for the first time... Thanks again, Pete |
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