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Actually, John Carty is correct in how the illusion was performed. The
helicopters were actually there, though the pilots were in on the trick. One of the purposes of the helicopters was to shine lights in the eyes of the live audience to make sure that they were blinded. The basic illusion can be found in Poundstone. The stage consisted of seating for the live audience, two towers with an arch between them, and a curtain that could be lowered from the arch. The entire stage could be rotated. The audience was seated so that they could not move around and see what was going on behind the towers. The helicopters circling overhead helped disorient the live audience so they could not feel the stage turn. When the curtain was dropped, the statue had 'vanished.' What had really happened was that the stage was turned so that now the audience was just looking out to sea. The noise from the helicopters also helped to obscure any noise that the rotating stage might have made. One of the two towers had been repositioned to obscure the statue from the audience. Since the TV cameras faced the same direction as the audience, the TV audience would be limited to the same view that the live audience had. While the curtain was in place and the stage was rotating, assistants turned off the lights ringing the statue and turned on a second set of lights so that the audience would think that they were looking at the same lights that surrounded the statue. The lights on the ground and the spotlights from the helicopters served to blind the audience by destroying their night vision. The radar was only a video animation shown for the TV audience and it was not well executed. It just looks cheesy -- not even a real radar screen. The illusion would have been better without it. I have noticed this about Copperfield -- his grand illusions are very impressive and show a talent for showmanship, but he almost invariably degrades the whole thing by throwing in some cheap trick like this. Witness the awful penetration of the Great Wall of China illusion, for example, where somebody (probably Copperfield himself) keeps pushing against the cloth on the far side of the wall. It just looks dumb and adds nothing to the illusion. The Escape from Alcatraz had some of the same stuff. I really did not want to talk about how the illusion was performed. Most magic really consists of, well, pretty dumb stuff. Knowing how the trick is done really detracts from the show and often leaves people with the feeling that they have been had by a cheap shot, which is not fair to the magician or the other performers. |
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