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#21
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In message , "Gord
writes "M. J. Powell" wrote: In message , "Gord writes I know that this looks bad for me...but I find it very difficult to believe that the announcer is sitting in a Lanc as he talks about "...moving down the runway and just now we lift off and climb away..." etc. If you ever actually sat in a Lancaster during takeoff you'd know...the noise is deafeningly loud...deafening... Noise-cancelling microphone used by Vaughan-Thomas, mixed by the engineer with intercom? As frequently used by sports commentators. Mike It still doesn't ring true to me Mike...Listen closely to the announcer here while picturing him in a mind-numbing world of harsh noise so loud that it's almost painful. He's speaking in an almost conversational tone. I really can't see him doing that, he'd be shouting, it's human nature to do so. Well, it may be irrelevant, but I have a tape recording that I made in a Vulcan, from take-off to landing, with 4 Olympus jets pushing like mad, and the intercom speech sounds very similar to the Lancaster recording. There is very little engine noise audible. However the O2 masks were the pressure type, which were bigger and tighter fitting than the wartime ones. Mike -- M.J.Powell |
#22
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In message , Keith Willshaw
writes snip I dont think there's any doubt that Wynford Vaughan Thomas and a BBC sound engineer did indeed fly that mission on an RAF Lancaster, nor do I doubt that they did indeed record on that mission. However its not impossible that AFTER the mission some dubbing occurred to increase the audibility. That sets me thinking about what audio tailoring the BBC had in those days. Even some wireless sets had the usual top cut or bass boost controls. I will ask on a B/C newsgroup and report back. There may be some oldies around. Mike -- M.J.Powell |
#23
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In message , Keith Willshaw
writes "Gord Beaman" wrote in message .. . "M. J. Powell" wrote: It still doesn't ring true to me Mike...Listen closely to the announcer here while picturing him in a mind-numbing world of harsh noise so loud that it's almost painful. He's speaking in an almost conversational tone. I really can't see him doing that, he'd be shouting, it's human nature to do so. That's the one part I can believe. I grew listening to the broadcasts of Wynford Vaughan Thomas and he was one of those genial laid back types who always seemed to be at ease whatever the circumstances. You have to remember that his wartime career took in several invasions including Anzio and he was awarded the Croix de Guerre in 1945 for his work in France. And Chester Wilmott and others recorded on disc during artillery bombardments perfectly audibly. Mike -- M.J.Powell |
#24
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I have been following this discussion with some interest and I also feel
that the recording is unlikely to be genuine. Not only is the lack of noise a problem; I also have some difficulty in believing that the disc cutting machinery at that time was capable of being sufficiently isolated from the considerable vibration and G-forces due to combat maneouvring. Doctored, or even completely phony information for propaganda purposes (and let's face it this was pure propaganda) were, and still are, common. I used to have a recording of famous wartime speeches by Churchill and other WWII leaders and on the notes was the comment that some of the cuts were re-recordings due to the poor quality, or total lack, of original recordings. Unfortunately I transferred this to tape many years ago and no longer have the liner notes with the details, but I am quite certain that at least one of them was a well known speech by Churchill which was re-recorded in a BBC studio. I'm tempted to consign this to the collection of "official" items containing such things as "Cats Eyes Cunningham" and his carrots, which was widely believed at the time; and probably still is by some. It would seem likely that at least one person involved in this recording is still alive and could provide the truth - unless it is covered by the Official Secrets Act, as much WWII detail apparently still is. Dave |
#25
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In article ,
"Gord Beaman" ) writes: "Stolly" wrote: It was recorded on a disk not tape. If you are convinced it is not real then you are also convinced that A. The picture of them stood outside the aircraft is faked. Hardly now...why does it follow?..don't be silly sir... Incidentally, although it certainly isn't any kind of proof but our Lancs didn't have that row of small windows all down along the stbd side of the a/c, but if you Google for the 'Manchester Bomber' it does, exactly like these. Are you sure that these two guys aren't standing beside a Manchester?. There's not enough of the a/c showing for me to tell. I was able to make out the serial on the aft fuselage. It's definitely a Lanc. (Although if it _were_ a Manchester, that would explain the lack of engine noise. I have to agree with you, Gord. While I don't have any flights in a Lancaster, I've seen and heard one, and I've flown/ridden in teh C-47, C-123, C-131 (Recip Cosmo), and C-118 (DC-6), and the one common denominator is the constant noise and vibration. Even when the noise is cut back by the headsets, the vibration's always there. I can't see any sort of the disk-cutters they used back then being isolated from that. While the Germans had made an early form of tape recorder, it wasn't a practical or portable system, using what were essentially bandsaw blades moved at high speed as the recording medium. -- Pete Stickney A strong conviction that something must be done is the parent of many bad measures. -- Daniel Webster |
#26
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In article , Stolly stolly@ihatespa
m.stolly.org.uk writes It was recorded on a disk not tape. If you are convinced it is not real then you are also convinced that A. The picture of them stood outside the aircraft is faked. B. They faked it in less than 12 hours since it was broadcast later the same day. C The BBC and Imperial War Museum, to this day, are in on the conspiracy. D. 207 Squadron Association are also in on the conspiracy since the had a renunion in 1983 and invited the BBC reporter there as reported here http://www.207squadron.rafinfo.org.uk/default.htm . They got together 40 years later for the express purpose of remembering the recording and broadcasting of this recording. Are you REALLY suggesting that they got together 40 years later to remember something that never happened ? Seriously you are ignoring all the above in favour of not believing that the BBC knew how to filter noise. They were a world class broadcasting service. You would certainly imagine they had sound engineers that knew what they were doing. I have the whole 40 minute recording from the IWM sound archive. I payed £20 for it. Are you saying that I should report the Imperial War Museum for commiting fraud in that they are knowingly selling faked recordings ? Or perhaps a museum with a international reputation has been duped themselves and that you know better based on a hunch that the engines are not loud enough ? SNIP of MJP points Out of respect for your 20.00 worth of drinking vouchers, I will take a look at all the recordings on your site, but as I mentioned in an earlier part of this thread, the beef with the sound quality is only part of it, the actual words recorded don't add up to a real-time recording of a Lanc aircrew on a bomb run. 1. The pilot is instructed to keep weaving after the navigator has announced half a minute to go before bomb drop (and before the fighter puts in an appearance). If the bomb aimer were staring through the bomb sight stabilisation glass at that time, to get a straight run in on the target, the last thing he would have wanted was a weave. And just who is asking for the weave? Usually such a command was only given by a gunner who had definitely seen a fighter - not the case at that time. Then the pilot is told to steer 'left, left' - such a precise order would not be given by the bomb aimer until the pilot had been told to stop any weaving. 2. Then the pilot asks for more revs. Why - just at the time the bomb aimer needs constant speed maintained for his bomb sight predicting computer? This doesn't feel quite right. 3. Finally, the pilot is instructed to weave again at a time when the bomber should have been flying straight and level for the post-drop picture to be taken, and before the night fighter is sighted. 4. And did they really put a mike in the rear turret to record the sound of the Brownings? The bombing sequence has the feel of jargon being bunged in by a script writer who did not know the true sequence of events before and after a bomb release. Cheers, Dave -- Dave Eadsforth |
#27
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"Dave Holford" wrote in message
... I have been following this discussion with some interest and I also feel that the recording is unlikely to be genuine. Not only is the lack of noise a problem; I also have some difficulty in believing that the disc cutting machinery at that time was capable of being sufficiently isolated from the considerable vibration and G-forces due to combat maneouvring. Doctored, or even completely phony information for propaganda purposes (and let's face it this was pure propaganda) were, and still are, common. I used to have a recording of famous wartime speeches by Churchill and other WWII leaders and on the notes was the comment that some of the cuts were re-recordings due to the poor quality, or total lack, of original recordings. Unfortunately I transferred this to tape many years ago and no longer have the liner notes with the details, but I am quite certain that at least one of them was a well known speech by Churchill which was re-recorded in a BBC studio. I'm tempted to consign this to the collection of "official" items containing such things as "Cats Eyes Cunningham" and his carrots, which was widely believed at the time; and probably still is by some. It would seem likely that at least one person involved in this recording is still alive and could provide the truth - unless it is covered by the Official Secrets Act, as much WWII detail apparently still is. Dave I have to agree - only with modern DSP "anti-noise" technology could you have filtered out all the engine noise. Maybe a recording was attempted, found to be unuseable, and the resulting script was then re-recorded in the studio. I don't think this was an attempt to deceive though, just common practice at the time, as per Churchill's speeches. - Michael |
#28
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#29
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"MichaelJP" wrote:
Maybe a recording was attempted, found to be unuseable, and the resulting script was then re-recorded in the studio. I don't think this was an attempt to deceive though, just common practice at the time, as per Churchill's speeches. - Michael Certainly sounds plausable... (sorry, couldn't resist) -- -Gord. |
#30
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In message , "Gord
writes (Peter Stickney) wrote: I was able to make out the serial on the aft fuselage. It's definitely a Lanc. (Although if it _were_ a Manchester, that would explain the lack of engine noise. Sure...two engines vice four... I have to agree with you, Gord. While I don't have any flights in a Lancaster, I've seen and heard one, and I've flown/ridden in teh C-47, C-123, C-131 (Recip Cosmo), and C-118 (DC-6), and the one common denominator is the constant noise and vibration. Even when the noise is cut back by the headsets, the vibration's always there. I can't see any sort of the disk-cutters they used back then being isolated from that. While the Germans had made an early form of tape recorder, it wasn't a practical or portable system, using what were essentially bandsaw blades moved at high speed as the recording medium. Quite true, and here's another possibility(?) for a recording medium...The Lancs that we had in the early/mid fifties were equipped with a 'magnetic wire recorder'. They were used to record the sonobuoys audio output of underwater sounds. Do you suppose they may have had those during the war years?...Ours was a cute lil guy about 1,5 feet long, 8 inches high by 4 inches wide. You could see the two wire spools through the glass in the front loading door, The wire looked very thin and looked like shiny steel. (be aware that the memory of those measurements etc is some 50 years old!) Wirex? Mike -- M.J.Powell |
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